Pratt Institute
Design for Protest
This exhibition studies design process as an artifact of social value. It brings together work by Industrial Design students who have extensively participated in designing for protest through redesigning of critical and reflective methods themselves. These approaches demonstrate building of relationships and community during research, surveys, field trips as an expanded field of creating change. Thumbnail image credit Selin Ozay and Header image credit Peixuan Li
Thanks to: Swati Piparsania
Participating Students
Ashley Womack

Ashley is a half-Filipino + half-black designer, whose interests in community, language, and identity are as much a part of her daily life as they are part of her designs. After graduating, she plans on finding a way to integrate her love of languages, sustainability, and sewing into her professional practice. On the weekends you can catch Ashley studying Spanish, Mandarin, and over-indulging in ube (purple yam) ice cream with friends.

About "My Language" Project: Everyone has the right to be heard no matter what language they want to speak, yet interactions that take place in a public space are dominated by English. "My Language" seeks to find how certain public spaces can be altered to make non-English and multilingual speakers more comfortable with using their language in public. One outcome of the My Langauge project is a system of signage protest in museums. The people coming to a museum should be able to connect with the art from their own culture via their own language.

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Ashley Womack

Ashley is a half-Filipino + half-black designer, whose interests in community, language, and identity are as much a part of her daily life as they are part of her designs. After graduating, she plans on finding a way to integrate her love of languages, sustainability, and sewing into her professional practice. On the weekends you can catch Ashley studying Spanish, Mandarin, and over-indulging in ube (purple yam) ice cream with friends.

About "My Language" Project: Everyone has the right to be heard no matter what language they want to speak, yet interactions that take place in a public space are dominated by English. "My Language" seeks to find how certain public spaces can be altered to make non-English and multilingual speakers more comfortable with using their language in public. One outcome of the My Langauge project is a system of signage protest in museums. The people coming to a museum should be able to connect with the art from their own culture via their own language.

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GiGi Nieson

GiGi is a graduating senior in the Pratt Institute's Undergraduate Industrial Design Program. She loves talking to people, conceptualizing artwork, and is passionate about environmental justice. She has a history with grassroots organizing and policy research, and plans to incorporate those skills with her studies in future art projects, design, or to navigate the political landscape when she graduates.

When she isn't in the studio or running a meeting with fellow activists, you can find her whizzing by on her bicycle in Brooklyn.


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Red Hook in 50 Years
Notes and Photos from Red Hook Site Visits
Waterline Boat Interaction Event
Carbon Reduction Dial
Community Waterline Map
Waterline Height Sail
GiGi Nieson

GiGi is a graduating senior in the Pratt Institute's Undergraduate Industrial Design Program. She loves talking to people, conceptualizing artwork, and is passionate about environmental justice. She has a history with grassroots organizing and policy research, and plans to incorporate those skills with her studies in future art projects, design, or to navigate the political landscape when she graduates.

When she isn't in the studio or running a meeting with fellow activists, you can find her whizzing by on her bicycle in Brooklyn.


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Michelle Wang

As an industrial design student, I saw the world diving further into the digital and I found it fundamental to apply my 3D studies and practices into UI/UX design. By using industrial design problem solving skills for intangible experiences, I want to make the world a better place with interdisciplinary solutions.

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Michelle Wang

As an industrial design student, I saw the world diving further into the digital and I found it fundamental to apply my 3D studies and practices into UI/UX design. By using industrial design problem solving skills for intangible experiences, I want to make the world a better place with interdisciplinary solutions.

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Peixuan Li

Peixuan Li, an industrial designer in Beijing, China. Graduated from Pratt Institute BID program and interned in American Heirloom. Trained in furniture design, cosmetic packaging, sustainability studies, etc. I take inspiration from daily life, and I'm aiming to make big changes by designing small objects.

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Peixuan Li

Peixuan Li, an industrial designer in Beijing, China. Graduated from Pratt Institute BID program and interned in American Heirloom. Trained in furniture design, cosmetic packaging, sustainability studies, etc. I take inspiration from daily life, and I'm aiming to make big changes by designing small objects.

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Ruoran Pan

My name is Ruoran Pan. Both of my parents are engineers and designers. Before I was able to comprehend that, I started to communicate by drawing down things since I was three. I love arts in all sorts of form, visual, aural, anything that captures my senses. I love what I'm good at, and I'm good at what I love. Despite how people kept telling me that I would become a brilliant artist one day, I don't want to be limited. So, I decided to do something solid with my skills. I applied for Industrial Design and started my journey in Pratt Institute. I had my fortune to study under some outstanding professors and participated in various design competitions and internships in companies. I came out with quite decent harvest, including a 3D pedometer I designed that's now on sale. I also received my utility patent and design patents for other projects. With my experience, I became accustomed to the design thinking process that shrinks down the overall framework into the pursuit of details.

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Ruoran Pan

My name is Ruoran Pan. Both of my parents are engineers and designers. Before I was able to comprehend that, I started to communicate by drawing down things since I was three. I love arts in all sorts of form, visual, aural, anything that captures my senses. I love what I'm good at, and I'm good at what I love. Despite how people kept telling me that I would become a brilliant artist one day, I don't want to be limited. So, I decided to do something solid with my skills. I applied for Industrial Design and started my journey in Pratt Institute. I had my fortune to study under some outstanding professors and participated in various design competitions and internships in companies. I came out with quite decent harvest, including a 3D pedometer I designed that's now on sale. I also received my utility patent and design patents for other projects. With my experience, I became accustomed to the design thinking process that shrinks down the overall framework into the pursuit of details.

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Samuel Hardman

Samuel Hardman is a multidisciplinary designer from Indiana. He recently graduated from Pratt Institute in Brooklyn, NY with a major in Industrial Design and a minor in Film/Video. During his time at Pratt he took part in a wearable technology workshop at NASA's Johnson Space Center, studied abroad in Denmark, and worked part-time in the metal shop and wood shop on campus. In the future he hopes to create positive social change through a combination of research, design, and media. Whenever he has free time he enjoys going to shows and discovering new artists, reading books and learning new ideas, and going on ski trips with his friends.

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Emergency Evasion
Evasion stickers shooting out of the dispenser.
Dispenser
The dispenser is a new help point for Subway riders.
Logo stickers (4/40)
Logo stickers feature the project logo and title in NYC's 10 most spoken languages.
Action stickers (4/40)
Action stickers emphasize the actions that can be taken to avoid the fare.
Inside a Subway Car (1/6)
This poster shows what a dispenser and stickers would look like inside a Subway car.
500 new cops (1/6)
This poster shows a variety of stickers dealing with the police presence inside the Subway.
Samuel Hardman

Samuel Hardman is a multidisciplinary designer from Indiana. He recently graduated from Pratt Institute in Brooklyn, NY with a major in Industrial Design and a minor in Film/Video. During his time at Pratt he took part in a wearable technology workshop at NASA's Johnson Space Center, studied abroad in Denmark, and worked part-time in the metal shop and wood shop on campus. In the future he hopes to create positive social change through a combination of research, design, and media. Whenever he has free time he enjoys going to shows and discovering new artists, reading books and learning new ideas, and going on ski trips with his friends.

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Selin Ozay

Objects have the ability to completely change the way people live. They improve performance, better our state of mind, change the way we experience our surroundings and the other people in it. I've always been fascinated by the way the human body interacts with objects and the space around it. Through my work, I aim to explore how we function and how to alter the way we live.

I am an Industrial Designer with a Bachelor's Degree from Pratt Institute in Brooklyn, New York. Born in Germany with German/Turkish origins, I grew up in England and Dubai, before moving to New York. Having grown up so multi-culturally, I was always interested in exploring interactions, along with materials and forms related to different cultures. My design focus lies heavily on creating and exploring many different techniques and processes.

When looking at class options for my capstone semester, I became interested in taking a class called Protest Design. Industrial Design is very absent from protest. The most successful objects come from in-the-moment creations, as it is difficult to predict what will be useful and symbolic of the movement. It is important that objects for protests fall outside typical consumerist dynamics and are not objects that would be typically sold as that makes it lose its rebellious symbolism. Designs for protest do not need to be handmade objects used during a March; they can also be informative objects that showcase a problem within Society. A singular item can have the ability to spark conversations across the globe so that even people that have not experienced the product itself can see and recognize that change must occur. Protests are usually seen as a collection of anger, whereas products are meant to be beautiful and elegant. The struggle now lies in how we can merge these two very different formations and create an object that strives for change.

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Violent Media and Turkish Society
Rarely does a day pass in Turkey without a news report of male violence against a woman. Media can be a powerful tool to raise awareness and either positively or negatively shape the behaviour of men prone to violence and for the women subjected to violence. My aim is to design an apparel piece that creates empathy between the viewer and female character in the television drama.
Visualising Violence
I watched various famous Turkish TV shows and recorded the most common forms of violence that men caused women. I looked at how this violence is portrayed on screen, and then my interpretations of it. I tried to tap into internal emotions and what goes through my mind when seeing these things in screen. This chart is how I analysed my research to figure out what my jacket would do. Some actions seen on TV made me think of external pressure on the body, or sensations such as heat and cold.
Pressure Mapping
After I visualised violence and charted my sensations, I needed to map out where the functional elements would be. Looking back at my chart, I saw which areas are most affected on the body by violence and decided those would need the most pressure in the under-layer. The overlayer would then have an overall squeezing effect, first seeming very comfortable and safe.
Ideation
After looking at how inflation works and having done more research into aesthetics and my design idea, I rendered some options with colour and materials. I experimented with modern versus traditional silhouettes and cuts. There will be an underlayer which has more of a tight, modern aesthetic, then a loose over-layer featuring traditional motifs.
Rendering
Due to COVID-19 and loss of access to facilities, I had to turn to 3D modelling to render my final prototype. Using Marvellous Designer, I was able to create the pattern pieces and see how inflation areas would look in real life.
Worn
The two options for displaying this object would be an in gallery display and an at-home apparel. As all the TV viewing is happening in the home, having a house setting is important to highlight the domestic violence and call attention to the provided entertainment. This would hopefully highlight the implications of violence both to the viewers and creators of these violent scenes in TV.
Selin Ozay

Objects have the ability to completely change the way people live. They improve performance, better our state of mind, change the way we experience our surroundings and the other people in it. I've always been fascinated by the way the human body interacts with objects and the space around it. Through my work, I aim to explore how we function and how to alter the way we live.

I am an Industrial Designer with a Bachelor's Degree from Pratt Institute in Brooklyn, New York. Born in Germany with German/Turkish origins, I grew up in England and Dubai, before moving to New York. Having grown up so multi-culturally, I was always interested in exploring interactions, along with materials and forms related to different cultures. My design focus lies heavily on creating and exploring many different techniques and processes.

When looking at class options for my capstone semester, I became interested in taking a class called Protest Design. Industrial Design is very absent from protest. The most successful objects come from in-the-moment creations, as it is difficult to predict what will be useful and symbolic of the movement. It is important that objects for protests fall outside typical consumerist dynamics and are not objects that would be typically sold as that makes it lose its rebellious symbolism. Designs for protest do not need to be handmade objects used during a March; they can also be informative objects that showcase a problem within Society. A singular item can have the ability to spark conversations across the globe so that even people that have not experienced the product itself can see and recognize that change must occur. Protests are usually seen as a collection of anger, whereas products are meant to be beautiful and elegant. The struggle now lies in how we can merge these two very different formations and create an object that strives for change.

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Wendy Wang

I'm an industrial designer in New York, an in-coming footwear design apprentice of Coach NY. Currently, I am working towards completing a BID in Industrial Design at Pratt Institute. My ideal setting would be to work as inspiration at a creative team, where I can also be challenged and pushed by other imaginative minds and talents. I take risks, work with great passion, and always put humans first.
My portfolio and resume http://www.wendyyiwang.com

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Wendy Wang

I'm an industrial designer in New York, an in-coming footwear design apprentice of Coach NY. Currently, I am working towards completing a BID in Industrial Design at Pratt Institute. My ideal setting would be to work as inspiration at a creative team, where I can also be challenged and pushed by other imaginative minds and talents. I take risks, work with great passion, and always put humans first.
My portfolio and resume http://www.wendyyiwang.com

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