Here's how Acconci describes it: "New Yorkers passing along the Grand Concourse will stumble upon this space without knowing it's been designed by anybody in particular. I want them to become curious, to have a second chance at being children. This public commission is in a sense a strange furniture conceived as an act of rebellion."
Though the scale and use of material is a bit of a wow factor, the whole thing is a bit difficult to make sense of—the "fabric" metaphor feels a bit stiff, but does make us wonder how else Corian can be "soft." The project is probably less confusing in real space than in the pictures—go check it out between now and January 2nd at the Bronx Museum of Art. More shots follow.
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