I'm no sociologist, but it's clear that in this digital age, people increasingly seek the satisfaction of manipulating physical things. Even if those physical interactions are purposeless (see: Fidget spinners). How else to explain the stunning success of this Yashica FX-D, a digital camera with fake analog controls? It's been Kickstarted with over $250K in pledges at press time, and counting.
The fully digital camera does not take film, but absurdly features a film advance lever, so you can feel like you're doing something between taking shots. To be clear, this lever doesn't physically do anything other than move. There is no film to advance. But the product copy tries to sell you on the romance of it all:
"The lever glides ahead, guiding your mind into focus. Every pull of the film advance lever encourages you to slow down and be present. By transforming a quick snap into a quiet ritual and deepening your bond with the subject, every frame you capture becomes a memory you hold close."
To make you feel like you are actually doing something by manipulating the lever, there's an accompanying on-screen animation.
The camera also features six built-in film simulation modes, which are filters that apply image qualities related to historic film stocks. These are, obviously, software, meaning there's no real reason beyond profit to design a new physical camera around them.
The camera was designed to resemble the Yashica FX-3 35mm SLR, a film camera first released in 1979. It's also worth noting that, despite claims of lineage and the Yashica branding, today's Yashica is not the same company as the old one. The original Yashica was a Japanese company that was in business from 1949 to 2005, when it shut down. The trademark was purchased in 2008 by a Chinese company, the MF Jebsen Group, who has been reinvigorating the brand by making nostalgic appeals and emulating 20th-century advertising styles.
So: Is this real product design, or is it marketing?
"With YASHICA FX-D, every interaction is a gentle invitation to slow down, breathe, and be fully present. In an age of instant captures and endless scrolling, this camera stands as a reminder that photography can be something more — something intentional, thoughtful, and even meditative. From the deliberate pull of the film advance lever, which creates a satisfying tactile pause between each shot, to the weight and feel of the controls in your hand, every detail encourages you to engage with your craft more deeply."
That so many people have lined up to buy a product that delivers a contrived experience is telling. This is akin to driving an electric car with a fake clutch and shift lever. Or using an electric stove where you have to pretend to light the pilot.
If you really wanted the tactile experience of using a film camera, you could pick one up at a thrift store for less than the $340 (retail $550) asking price of the FX-D. But that would require that you actually learn to use it, and get the film developed. The commercial success of this product demonstrates that people care less about acquiring a new skill, which takes time and patience, and are happy to live with a no-learning-curve simulation instead.
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What bothers me most is that this approach flattens genuine craftsmanship and intentional design into little more than a costume. It turns meaningful tools into cosplay accessories. And it's not just cameras—it's everywhere. Faux-analog turntables with Bluetooth, fake switches, retro dials with no actual mechanical control. They're skeuomorphic relics that serve marketing more than the user. Yes, people want to touch things, to feel connected to a process—but they're being offered a shortcut instead of a path. That shortcut is a simulated experience that requires no effort, no curiosity, and no real engagement. It's the fidget spinner of photography. And calling it "meditative" doesn't make it meaningful. It just makes it easier to sell.
The Urban Outfitters crowd is going to eat this up. The next version should incorporate AI image generation, so that the user doesn't even need to photograph anything. They can just press the shutter button and a cool image appears on the monitor, as if it was just photographed!
Ironically someone has actually made that camera, although it is more of an experiment/art project, not a mass manufactured product. https://bjoernkarmann.dk/project/paragraphica
What next, a genuine Panaphonics?