Last year was Danish Craft's first Milan design week debut, and with great success, they will return this month with new designs:
The 12 craft artists participating in this year's exhibition are: Furniture designers Louise Campbell, Cecilie Manz, Ditte Hammerstrom, Salto & Sigsgaard and Christian Flindt. Textile designer Astrid Krogh. Ceramicists Louise Hindsgavl, Martin Bodilsen Kaldahl, Christin Johansson and Steen Ipsen. Goldsmith Kim Buck and designer Ole Jensen.
Bunch of Boxes is a series of small boxes that combine to make up a set of hanging drawers. A piece of furniture for small keepsakes and therefore a piece of furniture that can always be expanded with additional boxes as needed. Bunch of Boxes is made of lacquered wood and rope. This is a piece of furniture that is capable of expanding and growing as need dictates. The work is sponsored by Montana.
Hot Water Bottle is a soft container that can be filled with hot water and placed on or near the body. It is typically used to ease stomach or muscle pain. "Or if you just feel under the weather and need some warmth," says Ole Jensen, adding that the product is probably "particularly relevant in cold climates and difficult times." The product is made in natural rubber and metal by repeatedly dipping a clay shape into liquid rubber. The rubber is treated with a thin layer of silicone for durability. The stopper is handmade in gold-plated brass with a screw thread closure. The hot water bottles are made in five different shapes in brown or red. Hot Water Bottles are produced by Latex One and Lars Glad in collaboration with Rasha Sager & Saxenfelt Natural Rubber Products.
>>View all Core77 Milan Design Week 09 Coverage
TIED – POWER is modeled stoneware with a black high-gloss glaze and red leather. In this work, which is constructed from spherical shapes, Steen Ipsen aims for an expression of forceful vitality. However, the work also strives for a graphic simplicity, underscored by the red laces, as well as a sensual undertone that speaks to the beholder’s imagination. His vision was to “create a modern work in a design that is compatible with many architectural and interior design contexts, but which also expresses history and elements of primeval power.â€
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