Wonderlamp at Dilmos 7 light objects, each with its own story. The glass represents a different fluid material in each lamp. Designed by: Pieke Bergmans and Studio Job http://www.dilmos.com/Lisa Smith 6 of 468
Wonderlamp at Dilmos 7 light objects, each with its own story. The glass represents a different fluid material in each lamp. Designed by: Pieke Bergmans and Studio Job http://www.dilmos.com/Lisa Smith 7 of 468
Wonderlamp at Dilmos 7 light objects, each with its own story. The glass represents a different fluid material in each lamp. Designed by: Pieke Bergmans and Studio Job http://www.dilmos.com/Lisa Smith 8 of 468
Wonderlamp at Dilmos 7 light objects, each with its own story. The glass represents a different fluid material in each lamp. Designed by: Pieke Bergmans and Studio Job http://www.dilmos.com/Lisa Smith 9 of 468
Wonderlamp at Dilmos 7 light objects, each with its own story. The glass represents a different fluid material in each lamp. Designed by: Pieke Bergmans and Studio Job http://www.dilmos.com/Lisa Smith 10 of 468
Wonderlamp at Dilmos 7 light objects, each with its own story. The glass represents a different fluid material in each lamp. Designed by: Pieke Bergmans and Studio Job http://www.dilmos.com/Lisa Smith 11 of 468
Wonderlamp at Dilmos 7 light objects, each with its own story. The glass represents a different fluid material in each lamp. Designed by: Pieke Bergmans and Studio Job http://www.dilmos.com/Lisa Smith 12 of 468
Wonderlamp at Dilmos 7 light objects, each with its own story. The glass represents a different fluid material in each lamp. Designed by: Pieke Bergmans and Studio Job http://www.dilmos.com/Lisa Smith 13 of 468
Wonderlamp at Dilmos 7 light objects, each with its own story. The glass represents a different fluid material in each lamp. Designed by: Pieke Bergmans and Studio Job http://www.dilmos.com/Lisa Smith 14 of 468
Wonderlamp at Dilmos 7 light objects, each with its own story. The glass represents a different fluid material in each lamp. Designed by: Pieke Bergmans and Studio Job http://www.dilmos.com/Lisa Smith 15 of 468
Tokujin Yoshioka for Kartell The Invisibles for Kartell Designed by: Tokujin Yoshioka http://www.kartell.it/Craighton Berman 16 of 468
Tokujin Yoshioka for Kartell The Invisibles for Kartell Designed by: Tokujin Yoshioka http://www.kartell.it/Craighton Berman 17 of 468
Marcel Wanders for Magis Sparkling Chair Designed by: Marcel Wanders http://www.magisdesign.com/Craighton Berman 18 of 468
Marcel Wanders for Magis Sparkling Chair Designed by: Marcel Wanders http://www.magisdesign.com/Craighton Berman 19 of 468
Marcel Wanders for Magis Sparkling Chair Designed by: Marcel Wanders http://www.magisdesign.com/Craighton Berman 20 of 468
Marcel Wanders for Magis Sparkling Chair Designed by: Marcel Wanders http://www.magisdesign.com/Craighton Berman 21 of 468
Marcel Wanders for Magis Sparkling Chair Designed by: Marcel Wanders http://www.magisdesign.com/Craighton Berman 22 of 468
Marcel Wanders for Magis Sparkling Chair Designed by: Marcel Wanders http://www.magisdesign.com/Craighton Berman 23 of 468
Superstudio Piu Highlights from around Superstudio's Temporary Museum for New Design http://www.superstudiogroup.com/Craighton Berman 24 of 468
Superstudio Piu Highlights from around Superstudio's Temporary Museum for New Design http://www.superstudiogroup.com/Craighton Berman 25 of 468
Superstudio Piu Highlights from around Superstudio's Temporary Museum for New Design http://www.superstudiogroup.com/Craighton Berman 26 of 468
Superstudio Piu Highlights from around Superstudio's Temporary Museum for New Design http://www.superstudiogroup.com/Craighton Berman 27 of 468
Superstudio Piu Highlights from around Superstudio's Temporary Museum for New Design http://www.superstudiogroup.com/Craighton Berman 28 of 468
Superstudio Piu Highlights from around Superstudio's Temporary Museum for New Design http://www.superstudiogroup.com/Craighton Berman 29 of 468
Superstudio Piu Highlights from around Superstudio's Temporary Museum for New Design http://www.superstudiogroup.com/Craighton Berman 30 of 468
Superstudio Piu Highlights from around Superstudio's Temporary Museum for New Design http://www.superstudiogroup.com/Craighton Berman 31 of 468
Sam Hecht for Mattiazzi Branca Chair Designed by: Sam Hecht http://www.mattiazzi.eu/Craighton Berman 32 of 468
Sam Hecht for Mattiazzi Branca Chair Designed by: Sam Hecht http://www.mattiazzi.eu/Craighton Berman 33 of 468
Sam Hecht for Mattiazzi Branca Chair Designed by: Sam Hecht http://www.mattiazzi.eu/Craighton Berman 34 of 468
Sam Hecht for Mattiazzi Branca Chair Designed by: Sam Hecht http://www.mattiazzi.eu/Craighton Berman 35 of 468
Nitzan Cohen for Mattiazzi He Said/She Said collection Designed by: Nitzan Cohen http://www.mattiazzi.eu/Craighton Berman 36 of 468
Nitzan Cohen for Mattiazzi He Said/She Said collection Designed by: Nitzan Cohen http://www.mattiazzi.eu/Craighton Berman 37 of 468
Junggi Sung New work by designer Junggi Sung Designed by: Junggi Sung Craighton Berman 38 of 468
Junggi Sung New work by designer Junggi Sung Designed by: Junggi Sung Craighton Berman 39 of 468
Junggi Sung New work by designer Junggi Sung Designed by: Junggi Sung Craighton Berman 40 of 468
e15 Jean barstool Designed by: Stefan Diez http://www.e15.com/Craighton Berman 41 of 468
e15 Eugene Lounge Designed by: Stefan Diez http://www.e15.com/Craighton Berman 42 of 468
e15 Eugene Lounge Designed by: Stefan Diez http://www.e15.com/Craighton Berman 43 of 468
Tom Dixon at Superstudio Much of Tom Dixon's collection (new and old) was shown at Superstudio's Temporary Museum of New Design. http://www.tomdixon.net/homeCraighton Berman 53 of 468
Tom Dixon at Superstudio Much of Tom Dixon's collection (new and old) was shown at Superstudio's Temporary Museum of New Design. http://www.tomdixon.net/homeCraighton Berman 54 of 468
Tom Dixon at Superstudio Much of Tom Dixon's collection (new and old) was shown at Superstudio's Temporary Museum of New Design. http://www.tomdixon.net/homeCraighton Berman 55 of 468
Tom Dixon at Superstudio Much of Tom Dixon's collection (new and old) was shown at Superstudio's Temporary Museum of New Design. http://www.tomdixon.net/homeCraighton Berman 56 of 468
Tom Dixon at Superstudio Much of Tom Dixon's collection (new and old) was shown at Superstudio's Temporary Museum of New Design. http://www.tomdixon.net/homeCraighton Berman 57 of 468
Tom Dixon at Superstudio Much of Tom Dixon's collection (new and old) was shown at Superstudio's Temporary Museum of New Design. http://www.tomdixon.net/homeCraighton Berman 58 of 468
Tom Dixon at Superstudio Much of Tom Dixon's collection (new and old) was shown at Superstudio's Temporary Museum of New Design. http://www.tomdixon.net/homeCraighton Berman 59 of 468
Tom Dixon at Superstudio Much of Tom Dixon's collection (new and old) was shown at Superstudio's Temporary Museum of New Design. http://www.tomdixon.net/homeCraighton Berman 60 of 468
Tom Dixon at Superstudio Much of Tom Dixon's collection (new and old) was shown at Superstudio's Temporary Museum of New Design. http://www.tomdixon.net/homeCraighton Berman 61 of 468
Tom Dixon at Superstudio Much of Tom Dixon's collection (new and old) was shown at Superstudio's Temporary Museum of New Design. http://www.tomdixon.net/homeCraighton Berman 62 of 468
Established and Sons The Established and Sons exhibition took place in an old Jai-Alai Court in Brera, Milan for the fourth year in a row. http://www.establishedandsons.com/Craighton Berman 72 of 468
Established and Sons Yellow Light, Pink Light, White Light Designed by: Scholten & Baijings http://www.establishedandsons.com/Craighton Berman 75 of 468
Established and Sons The Established and Sons exhibition took place in an old Jai-Alai Court in Brera, Milan for the fourth year in a row. http://www.establishedandsons.com/Craighton Berman 81 of 468
Established and Sons The exhibition of Estd., an "affordable" line, included 3D product viewing, provided by Yoox.com. Strange when the products were already there...in 3D. http://www.establishedandsons.com/Craighton Berman 89 of 468
Public Design Festival The Silence Cone: The aim of this installation is to bring a haven of quiet to the city chaos – a place where citizens can enjoy a peaceful moment. The structure is built along the lines of an igloo, though using hay bales, which provide green sound insulation and a "rural" feel in a city environment. Designed by: DESIGNO-Patagonia http://www.publicdesignfestival.org/Lisa Smith 92 of 468
Public Design Festival The Silence Cone: The aim of this installation is to bring a haven of quiet to the city chaos – a place where citizens can enjoy a peaceful moment. The structure is built along the lines of an igloo, though using hay bales, which provide green sound insulation and a "rural" feel in a city environment. Designed by: DESIGNO-Patagonia http://www.publicdesignfestival.org/Lisa Smith 93 of 468
Public Design Festival Set a Seat: This installation is made up of several modular seats, that can be combined according to the situation and the users' needs. It encourages people interaction, as they can actively decide where they want to seat, and if they want to use the installation in an extroverted or in an introverted way. Designed by: Miro Surka http://www.publicdesignfestival.org/Lisa Smith 94 of 468
Public Design Festival Milan Traveler's Pot: This multifunctional installation offers travelers and festival visitors a service. It is made up of a left-luggage area and by an elevated green area to relax, eat, rest, talk, or observe what is going on around from a different point of view. Designed by: East4 http://www.publicdesignfestival.org/Lisa Smith 95 of 468
Public Design Festival Milan Traveler's Pot: This multifunctional installation offers travelers and festival visitors a service. It is made up of a left-luggage area and by an elevated green area to relax, eat, rest, talk, or observe what is going on around from a different point of view. Designed by: East4 http://www.publicdesignfestival.org/Lisa Smith 96 of 468
Public Design Festival The Public Design Festival explores citizens' relationship with Milan's public spaces. http://www.publicdesignfestival.org/Lisa Smith 108 of 468
Public Design Festival Megafono: A megaphone for everyone. A megaphone to be heard. A megaphone to express yourself. A creative megaphone. A megaphone to scream. A megaphone for Milan. And a platform to rise and express yourself for a few minutes. Designed by: Cristiano Cremaschini http://www.publicdesignfestival.org/Lisa Smith 109 of 468
Public Design Festival "Foundation" involves all the people living in the area in the Recycling of waste materials used to build houses or old furniture. The aim of the project is to move the materials collected to a waste container, turning it into a small house, a meeting place for neighbours and passers-by. Designed by: Rikkert Paauw e Jet van Zwieten http://www.publicdesignfestival.org/Lisa Smith 110 of 468
Public Design Festival 9 Via Vigevano parking spots will host the winning projects of the duepercinque contest, an international competition to renew 2x5-metre areas traditionally meant for cars.
Shown here is Foundation. Designed by: Rikkert Paauw e Jet van Zwieten http://www.publicdesignfestival.org/Lisa Smith 111 of 468
Public Design Festival Into the Flowers: A flower bed where people can lie down, relax, chat, and get to know other people. A colourful and "natural" meeting place in the city centre. Designed by: Michal Rucinski, Silvia Ciacci and YellowOffice (Francesca Benedetto and Dong Sub Bertin) http://www.publicdesignfestival.org/Lisa Smith 112 of 468
Public Design Festival Into the Flowers: A flower bed where people can lie down, relax, chat, and get to know other people. A colourful and "natural" meeting place in the city centre. Designed by: Michal Rucinski, Silvia Ciacci and YellowOffice (Francesca Benedetto and Dong Sub Bertin) http://www.publicdesignfestival.org/Lisa Smith 113 of 468
Public Design Festival BEVETENETUTTI – DRINK OF IT, ALL OF YOU: It's a simple device to distribute free drinkable water. It quenches the thirst of all citizens – people and animals – and it offers them a place where they can have a break, freshen themselves up, drink, relax and interact with other people. Designed by: Lorenzo de Bartolomeis, Gabriele Diamanti, Filippo Poli http://www.publicdesignfestival.org/Lisa Smith 114 of 468
Public Design Festival BEVETENETUTTI – DRINK OF IT, ALL OF YOU: It's a simple device to distribute free drinkable water. It quenches the thirst of all citizens – people and animals – and it offers them a place where they can have a break, freshen themselves up, drink, relax and interact with other people. Designed by: Lorenzo de Bartolomeis, Gabriele Diamanti, Filippo Poli http://www.publicdesignfestival.org/Lisa Smith 115 of 468
Public Design Festival Bevetenetutti: Drink of it, All of You Designed by: Lorenzo de Bartolomeis, Gabriele Diamanti, Filippo Poli http://www.publicdesignfestival.org/Lisa Smith 116 of 468
Public Design Festival Bevetenetutti: Drink of it, All of You Designed by: Lorenzo de Bartolomeis, Gabriele Diamanti, Filippo Poli http://www.publicdesignfestival.org/Lisa Smith 117 of 468
Public Design Festival Bevetenetutti: Drink of it, All of You Designed by: Lorenzo de Bartolomeis, Gabriele Diamanti, Filippo Poli http://www.publicdesignfestival.org/Lisa Smith 118 of 468
Public Design Festival Bevetenetutti: Drink of it, All of You Designed by: Lorenzo de Bartolomeis, Gabriele Diamanti, Filippo Poli http://www.publicdesignfestival.org/Lisa Smith 119 of 468
Public Design Festival O2 park is a project that allows you to breathe in the city. Its transparent soft-shaped structure enables you to breathe some fresh air, thanks to the ionizers located on the inside. O2 park will offer participants pleasant moments together, and it will make them more aware of the problems related to pollution. Designed by: C_uno http://www.publicdesignfestival.org/Lisa Smith 122 of 468
Salone Satellite Barcelona design studio by way of London Designed by: Lime Studio http://www.limestudio.co.uk/Craighton Berman 123 of 468
Salone Satellite Barcelona design studio by way of London Designed by: Lime Studio http://www.limestudio.co.uk/Craighton Berman 124 of 468
Salone Satellite Barcelona design studio by way of London Designed by: Lime Studio http://www.limestudio.co.uk/Craighton Berman 125 of 468
Salone Satellite Barcelona design studio by way of London Designed by: Lime Studio http://www.limestudio.co.uk/Craighton Berman 126 of 468
Salone Satellite Barcelona design studio by way of London Designed by: Lime Studio http://www.limestudio.co.uk/Craighton Berman 127 of 468
Salone Satellite Barcelona design studio by way of London Designed by: Lime Studio http://www.limestudio.co.uk/Craighton Berman 128 of 468
Salone Satellite Barcelona design studio by way of London Designed by: Lime Studio http://www.limestudio.co.uk/Craighton Berman 129 of 468
Salone Satellite Barcelona design studio by way of London Designed by: Lime Studio http://www.limestudio.co.uk/Craighton Berman 130 of 468
Salone Satellite Barcelona design studio by way of London Designed by: Lime Studio http://www.limestudio.co.uk/Craighton Berman 131 of 468
Salone Satellite Excellent work from Serbian Designers, led by Ana Kraš http://youngserbiandesigners.org/Craighton Berman 132 of 468
Salone Satellite Excellent work from Serbian Designers, led by Ana Kraš http://youngserbiandesigners.org/Craighton Berman 133 of 468
Salone Satellite Excellent work from Serbian Designers, led by Ana Kraš http://youngserbiandesigners.org/Craighton Berman 134 of 468
Salone Satellite Excellent work from Serbian Designers, led by Ana Kraš http://youngserbiandesigners.org/Craighton Berman 135 of 468
Salone Satellite Excellent work from Serbian Designers, led by Ana Kraš http://youngserbiandesigners.org/Craighton Berman 136 of 468
Salone Satellite Excellent work from Serbian Designers, led by Ana Kraš http://youngserbiandesigners.org/Craighton Berman 137 of 468
Salone Satellite Excellent work from Serbian Designers, led by Ana Kraš http://youngserbiandesigners.org/Craighton Berman 138 of 468
Salone Satellite Excellent work from Serbian Designers, led by Ana Kraš http://youngserbiandesigners.org/Craighton Berman 139 of 468
Salone Satellite Excellent work from Serbian Designers, led by Ana Kraš http://youngserbiandesigners.org/Craighton Berman 140 of 468
Salone Satellite Excellent work from Serbian Designers, led by Ana Kraš http://youngserbiandesigners.org/Craighton Berman 141 of 468
Salone Satellite Excellent work from Serbian Designers, led by Ana Kraš http://youngserbiandesigners.org/Craighton Berman 142 of 468
Salone Satellite Bottom projection of a chandelier reflection. Designed by: Michael Herrman http://michaelherrmanstudio.com/Craighton Berman 143 of 468
Salone Satellite Bottom projection of a chandelier reflection. Designed by: Michael Herrman http://michaelherrmanstudio.com/Craighton Berman 144 of 468
Salone Satellite Works in progress by Berlin-based Studio Hausen Designed by: Studio Hausen http://www.studiohausen.de/Craighton Berman 145 of 468
Salone Satellite Works in progress by Berlin-based Studio Hausen Designed by: Studio Hausen http://www.studiohausen.de/Craighton Berman 146 of 468
Salone Satellite Works in progress by Berlin-based Studio Hausen Designed by: Studio Hausen http://www.studiohausen.de/Craighton Berman 147 of 468
Salone Satellite Works in progress by Berlin-based Studio Hausen Designed by: Studio Hausen http://www.studiohausen.de/Craighton Berman 148 of 468
Salone Satellite Works in progress by Berlin-based Studio Hausen Designed by: Studio Hausen http://www.studiohausen.de/Craighton Berman 149 of 468
Salone Satellite Experimental lighting projects from an Israeli design workshop. Designed by: On/Off by d-vision http://www.d-vision.co.il/Craighton Berman 150 of 468
Salone Satellite Experimental lighting projects from an Israeli design workshop. Designed by: On/Off by d-vision http://www.d-vision.co.il/Craighton Berman 151 of 468
Salone Satellite Experimental lighting projects from an Israeli design workshop. Designed by: On/Off by d-vision http://www.d-vision.co.il/Craighton Berman 152 of 468
Salone Satellite Experimental lighting projects from an Israeli design workshop. Designed by: On/Off by d-vision http://www.d-vision.co.il/Craighton Berman 153 of 468
Salone Satellite Experimental lighting projects from an Israeli design workshop. Designed by: On/Off by d-vision http://www.d-vision.co.il/Craighton Berman 154 of 468
Salone Satellite Origamis Hunter Designed by: Veronica Posada http://sistudio.cl/Craighton Berman 155 of 468
Salone Satellite Origamis Hunter Designed by: Veronica Posada http://sistudio.cl/Craighton Berman 156 of 468
Salone Satellite Origamis Hunter Designed by: Veronica Posada http://sistudio.cl/Craighton Berman 157 of 468
Salone Satellite Ellen Berger at Salone Satellite Designed by: Ellenberger Design http://www.ellenbergerdesign.de/Craighton Berman 158 of 468
Salone Satellite Ellen Berger at Salone Satellite Designed by: Ellenberger Design http://www.ellenbergerdesign.de/Craighton Berman 159 of 468
Salone Satellite Ellen Berger at Salone Satellite Designed by: Ellenberger Design http://www.ellenbergerdesign.de/Craighton Berman 160 of 468
Salone Satellite Ellen Berger at Salone Satellite Designed by: Ellenberger Design http://www.ellenbergerdesign.de/Craighton Berman 161 of 468
Salone Satellite Olivier Pitiot at Salone Satellite Designed by: Olivier Pitiot http://www.olivierpitot.comCraighton Berman 162 of 468
Salone Satellite Olivier Pitiot at Salone Satellite Designed by: Olivier Pitiot http://www.olivierpitot.comCraighton Berman 163 of 468
Salone Satellite Olivier Pitiot at Salone Satellite Designed by: Olivier Pitiot http://www.olivierpitot.comCraighton Berman 164 of 468
Salone Satellite Mexican design Designed by: Peca Craighton Berman 165 of 468
Salone Satellite Mexican design Designed by: Peca Craighton Berman 166 of 468
Salone Satellite Mexican design Designed by: Peca Craighton Berman 167 of 468
Salone Satellite Balanced and beautiful furnishings with interesting joint details Designed by: Holm http://www.staffanholm.com/Craighton Berman 168 of 468
Salone Satellite Balanced and beautiful furnishings with interesting joint details Designed by: Holm http://www.staffanholm.com/Craighton Berman 169 of 468
Salone Satellite Balanced and beautiful furnishings with interesting joint details Designed by: Holm http://www.staffanholm.com/Craighton Berman 170 of 468
Salone Satellite Balanced and beautiful furnishings with interesting joint details Designed by: Holm http://www.staffanholm.com/Craighton Berman 171 of 468
Salone Satellite Balanced and beautiful furnishings with interesting joint details Designed by: Holm http://www.staffanholm.com/Craighton Berman 172 of 468
Salone Satellite Balanced and beautiful furnishings with interesting joint details Designed by: Holm http://www.staffanholm.com/Craighton Berman 173 of 468
Salone Satellite Balanced and beautiful furnishings with interesting joint details Designed by: Holm http://www.staffanholm.com/Craighton Berman 174 of 468
Salone Satellite Furniture from Nathan Yong Designed by: Nathan Yong http://www.nathanyongdesign.comCraighton Berman 175 of 468
Salone Satellite Furniture from Nathan Yong Designed by: Nathan Yong http://www.nathanyongdesign.comCraighton Berman 176 of 468
Salone Satellite Interesting lighting and power management ideas. Designed by: Catalan De Ocon + Faccin http://www.catalandeocon.comCraighton Berman 177 of 468
Salone Satellite Interesting lighting and power management ideas. Designed by: Catalan De Ocon + Faccin http://www.catalandeocon.comCraighton Berman 178 of 468
Salone Satellite Interesting lighting and power management ideas. Designed by: Catalan De Ocon + Faccin http://www.catalandeocon.comCraighton Berman 179 of 468
Salone Satellite Interesting lighting and power management ideas. Designed by: Catalan De Ocon + Faccin http://www.catalandeocon.comCraighton Berman 180 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 181 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 182 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 183 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 184 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 185 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 186 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 187 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 188 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 189 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 190 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 191 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 192 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 193 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 194 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 195 of 468
Skitsch Skitsch's show in their Milan shop was featuring new (and some not quite so new) work from 28 emerging and established designers. The company says that the collection is "the result of research into emotional unexpected territories" - products combining functionality, quality and creativity with no style impositions or boundaries of any kind. http://www.skitsch.itBrit Leissler 196 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 197 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 198 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 199 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 200 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 201 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 202 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 203 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 204 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 205 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 206 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 207 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 208 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 209 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 210 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 211 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 212 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 213 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 214 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 215 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 216 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 217 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 218 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 219 of 468
Charles Kaisin - Design in Motion Charles Kaisin's exhibition Design in Motion presented all his work and research he did from 1999 to 2009, linked to two themes: motion and recycling. Production pieces are accompanied by research models. The installation TERREMOTO (meaning "earthquake" in Spanish), presenting the objects, was designed by Spanish artist Terre Recarens. It consisted of a floor of wooden lathwork, positioned in Japanese style, with a set of deliberately slanted shelves. When people walked over the floor boards, th Designed by: Charles Kaisin (Objects), Terre Recarens (Installation) http://www.charleskaisin.comBrit Leissler 220 of 468
Ebay Ad at the Moscova Stop Not really part of the design festival, but still a very interesting installation (even though it was advertising) was the transformation that Ebay Italy was doing to the Moscova underground station (one of the Metro stations in the busy Brera district). The complete platform got turned into one huge blackboard, showing hundreds of current ebay ads. Printed like paper notes on a massive pin board, the individual ads featured a QR code, enabling people to instantly access the respective ad on eba Designed by: Ebay Italy http://www.ebay.itBrit Leissler 221 of 468
Ebay Ad at the Moscova Stop Not really part of the design festival, but still a very interesting installation (even though it was advertising) was the transformation that Ebay Italy was doing to the Moscova underground station (one of the Metro stations in the busy Brera district). The complete platform got turned into one huge blackboard, showing hundreds of current ebay ads. Printed like paper notes on a massive pin board, the individual ads featured a QR code, enabling people to instantly access the respective ad on eba Designed by: Ebay Italy http://www.ebay.itBrit Leissler 222 of 468
Ebay Ad at the Moscova Stop Not really part of the design festival, but still a very interesting installation (even though it was advertising) was the transformation that Ebay Italy was doing to the Moscova underground station (one of the Metro stations in the busy Brera district). The complete platform got turned into one huge blackboard, showing hundreds of current ebay ads. Printed like paper notes on a massive pin board, the individual ads featured a QR code, enabling people to instantly access the respective ad on eba Designed by: Ebay Italy http://www.ebay.itBrit Leissler 223 of 468
Ebay Ad at the Moscova Stop Not really part of the design festival, but still a very interesting installation (even though it was advertising) was the transformation that Ebay Italy was doing to the Moscova underground station (one of the Metro stations in the busy Brera district). The complete platform got turned into one huge blackboard, showing hundreds of current ebay ads. Printed like paper notes on a massive pin board, the individual ads featured a QR code, enabling people to instantly access the respective ad on eba Designed by: Ebay Italy http://www.ebay.itBrit Leissler 224 of 468
Nacho Carbonell The Spanish designer launched twenty new prototype furniture pieces at Gianfranco Ferre fashion HQ in Brera. Also on display was a wonderful "alchemist bar", presenting the materials and experimental techniques that he had used to develop the prototypes, resins, combining gravel, thorns, filaments, bushes, monofilaments, steel and other materials. The show was created in collaboration with Spazio Rosanna Orlandi and will be on til the end of April. Designed by: Nacho Carbonell http://nachocarbonell.comBrit Leissler 225 of 468
Nacho Carbonell The Spanish designer launched twenty new prototype furniture pieces at Gianfranco Ferre fashion HQ in Brera. Also on display was a wonderful "alchemist bar", presenting the materials and experimental techniques that he had used to develop the prototypes, resins, combining gravel, thorns, filaments, bushes, monofilaments, steel and other materials. The show was created in collaboration with Spazio Rosanna Orlandi and will be on til the end of April. Designed by: Nacho Carbonell http://nachocarbonell.comBrit Leissler 226 of 468
Nacho Carbonell The Spanish designer launched twenty new prototype furniture pieces at Gianfranco Ferre fashion HQ in Brera. Also on display was a wonderful "alchemist bar", presenting the materials and experimental techniques that he had used to develop the prototypes, resins, combining gravel, thorns, filaments, bushes, monofilaments, steel and other materials. The show was created in collaboration with Spazio Rosanna Orlandi and will be on til the end of April. Designed by: Nacho Carbonell http://nachocarbonell.comBrit Leissler 227 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 228 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 229 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 230 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 231 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 232 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 233 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 234 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 235 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 236 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 237 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 238 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 239 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 240 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 241 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 242 of 468
Erastudio Erstudio did a beautiful show in their apartment gallery in Brera (being a gallery in an apartment, as the name suggests). The exhibition was extraordinary, particularly for the tension it created by the discrepance of content and location. Being placed in the poshest design quarter of Milan, the show (curated by architects Patrizia Tenti and Giuliana Frangipani) explored the will to recover materials and structures from past installations and represented the stylistic sign of Erastudio, which p http://www.erastudio.itBrit Leissler 243 of 468
Andrea Branzi - Epigrammi Andrea Branzi's "Epigrammi" was a nice little show in the Brera district of Milan. Epigrams are short tales that were very popular in antiquity. Branzi created his short tales in the shape of small pottery figures placed on thin iron frames, that can put up flowers, fruit or candles. His epigrams have no beginning or end, but contain fragments of an always interrupted tale. Designed by: Andrea Branzi http://www.andreabranzi.itBrit Leissler 244 of 468
Andrea Branzi - Epigrammi Andrea Branzi's "Epigrammi" was a nice little show in the Brera district of Milan. Epigrams are short tales that were very popular in antiquity. Branzi created his short tales in the shape of small pottery figures placed on thin iron frames, that can put up flowers, fruit or candles. His epigrams have no beginning or end, but contain fragments of an always interrupted tale. Designed by: Andrea Branzi http://www.andreabranzi.itBrit Leissler 245 of 468
Andrea Branzi - Epigrammi Andrea Branzi's "Epigrammi" was a nice little show in the Brera district of Milan. Epigrams are short tales that were very popular in antiquity. Branzi created his short tales in the shape of small pottery figures placed on thin iron frames, that can put up flowers, fruit or candles. His epigrams have no beginning or end, but contain fragments of an always interrupted tale. Designed by: Andrea Branzi http://www.andreabranzi.itBrit Leissler 246 of 468
Andrea Branzi - Epigrammi Andrea Branzi's "Epigrammi" was a nice little show in the Brera district of Milan. Epigrams are short tales that were very popular in antiquity. Branzi created his short tales in the shape of small pottery figures placed on thin iron frames, that can put up flowers, fruit or candles. His epigrams have no beginning or end, but contain fragments of an always interrupted tale. Designed by: Andrea Branzi http://www.andreabranzi.itBrit Leissler 247 of 468
Via Tortona Shots of design interventions and street life on Via Tortona. Brit Leissler 248 of 468
Via Tortona Shots of design interventions and street life on Via Tortona. Brit Leissler 249 of 468
Via Tortona Shots of design interventions and street life on Via Tortona. Brit Leissler 250 of 468
Via Tortona Shots of design interventions and street life on Via Tortona. Brit Leissler 251 of 468
Via Tortona Shots of design interventions and street life on Via Tortona. Brit Leissler 252 of 468
Mindcraft For the third time "Danish Crafts" presented "Mindcraft" in Zona Tortona - an exhibition of some of Denmark's finest craftspeople. The show was a nice presentation of experiments, questioning familiar objects, the results of this questioning being new interpretations of well-known objects in new contexts. http://www.danishcrafts.orgBrit Leissler 253 of 468
Mindcraft For the third time "Danish Crafts" presented "Mindcraft" in Zona Tortona - an exhibition of some of Denmark's finest craftspeople. The show was a nice presentation of experiments, questioning familiar objects, the results of this questioning being new interpretations of well-known objects in new contexts. http://www.danishcrafts.orgBrit Leissler 254 of 468
Mindcraft For the third time "Danish Crafts" presented "Mindcraft" in Zona Tortona - an exhibition of some of Denmark's finest craftspeople. The show was a nice presentation of experiments, questioning familiar objects, the results of this questioning being new interpretations of well-known objects in new contexts. http://www.danishcrafts.orgBrit Leissler 255 of 468
Mindcraft For the third time "Danish Crafts" presented "Mindcraft" in Zona Tortona - an exhibition of some of Denmark's finest craftspeople. The show was a nice presentation of experiments, questioning familiar objects, the results of this questioning being new interpretations of well-known objects in new contexts. http://www.danishcrafts.orgBrit Leissler 256 of 468
Mindcraft For the third time "Danish Crafts" presented "Mindcraft" in Zona Tortona - an exhibition of some of Denmark's finest craftspeople. The show was a nice presentation of experiments, questioning familiar objects, the results of this questioning being new interpretations of well-known objects in new contexts. http://www.danishcrafts.orgBrit Leissler 257 of 468
Mindcraft For the third time "Danish Crafts" presented "Mindcraft" in Zona Tortona - an exhibition of some of Denmark's finest craftspeople. The show was a nice presentation of experiments, questioning familiar objects, the results of this questioning being new interpretations of well-known objects in new contexts. http://www.danishcrafts.orgBrit Leissler 258 of 468
Mindcraft For the third time "Danish Crafts" presented "Mindcraft" in Zona Tortona - an exhibition of some of Denmark's finest craftspeople. The show was a nice presentation of experiments, questioning familiar objects, the results of this questioning being new interpretations of well-known objects in new contexts. http://www.danishcrafts.orgBrit Leissler 259 of 468
Mindcraft For the third time "Danish Crafts" presented "Mindcraft" in Zona Tortona - an exhibition of some of Denmark's finest craftspeople. The show was a nice presentation of experiments, questioning familiar objects, the results of this questioning being new interpretations of well-known objects in new contexts. http://www.danishcrafts.orgBrit Leissler 260 of 468
Mindcraft For the third time "Danish Crafts" presented "Mindcraft" in Zona Tortona - an exhibition of some of Denmark's finest craftspeople. The show was a nice presentation of experiments, questioning familiar objects, the results of this questioning being new interpretations of well-known objects in new contexts. http://www.danishcrafts.orgBrit Leissler 261 of 468
Local Dubai The "Local" show was the first show ever from independent designers based in the UAE, presented by Local - a design gallery lacated in Dubai. A mixture of furniture and objects, the line presented aims to facilitate design in the country, encouraging both, locally based and international designers to produce pieces in the UAE. http://www.localandco.aeBrit Leissler 262 of 468
Local Dubai The "Local" show was the first show ever from independent designers based in the UAE, presented by Local - a design gallery lacated in Dubai. A mixture of furniture and objects, the line presented aims to facilitate design in the country, encouraging both, locally based and international designers to produce pieces in the UAE. http://www.localandco.aeBrit Leissler 263 of 468
Local Dubai The "Local" show was the first show ever from independent designers based in the UAE, presented by Local - a design gallery lacated in Dubai. A mixture of furniture and objects, the line presented aims to facilitate design in the country, encouraging both, locally based and international designers to produce pieces in the UAE. http://www.localandco.aeBrit Leissler 264 of 468
Local Dubai The "Local" show was the first show ever from independent designers based in the UAE, presented by Local - a design gallery lacated in Dubai. A mixture of furniture and objects, the line presented aims to facilitate design in the country, encouraging both, locally based and international designers to produce pieces in the UAE. http://www.localandco.aeBrit Leissler 265 of 468
Local Dubai The "Local" show was the first show ever from independent designers based in the UAE, presented by Local - a design gallery lacated in Dubai. A mixture of furniture and objects, the line presented aims to facilitate design in the country, encouraging both, locally based and international designers to produce pieces in the UAE. http://www.localandco.aeBrit Leissler 266 of 468
Local Dubai The "Local" show was the first show ever from independent designers based in the UAE, presented by Local - a design gallery lacated in Dubai. A mixture of furniture and objects, the line presented aims to facilitate design in the country, encouraging both, locally based and international designers to produce pieces in the UAE. http://www.localandco.aeBrit Leissler 267 of 468
Local Dubai The "Local" show was the first show ever from independent designers based in the UAE, presented by Local - a design gallery lacated in Dubai. A mixture of furniture and objects, the line presented aims to facilitate design in the country, encouraging both, locally based and international designers to produce pieces in the UAE. http://www.localandco.aeBrit Leissler 268 of 468
Local Dubai The "Local" show was the first show ever from independent designers based in the UAE, presented by Local - a design gallery lacated in Dubai. A mixture of furniture and objects, the line presented aims to facilitate design in the country, encouraging both, locally based and international designers to produce pieces in the UAE. http://www.localandco.aeBrit Leissler 269 of 468
Marti Guixe @ Corraini The renowned art and design book publisher Corraini Edizioni published a new book by Marti Guixe called "The presentation of Food Designing". It gives an overview of Guixe's food design projects of the past 15 years - from the Olive Snack to I-cakes and from Lunch Balls to Sponsored Food. Guixe also designed the interior of the Corraini office/shop where the book was presented amongst other Guixe products. Designed by: Marti Guixe http://www.corraini.comBrit Leissler 270 of 468
Marti Guixe @ Corraini The renowned art and design book publisher Corraini Edizioni published a new book by Marti Guixe called "The presentation of Food Designing". It gives an overview of Guixe's food design projects of the past 15 years - from the Olive Snack to I-cakes and from Lunch Balls to Sponsored Food. Guixe also designed the interior of the Corraini office/shop where the book was presented amongst other Guixe products. Designed by: Marti Guixe http://www.corraini.comBrit Leissler 271 of 468
Marti Guixe @ Corraini The renowned art and design book publisher Corraini Edizioni published a new book by Marti Guixe called "The presentation of Food Designing". It gives an overview of Guixe's food design projects of the past 15 years - from the Olive Snack to I-cakes and from Lunch Balls to Sponsored Food. Guixe also designed the interior of the Corraini office/shop where the book was presented amongst other Guixe products. Designed by: Marti Guixe http://www.corraini.comBrit Leissler 272 of 468
Marti Guixe @ Corraini The renowned art and design book publisher Corraini Edizioni published a new book by Marti Guixe called "The presentation of Food Designing". It gives an overview of Guixe's food design projects of the past 15 years - from the Olive Snack to I-cakes and from Lunch Balls to Sponsored Food. Guixe also designed the interior of the Corraini office/shop where the book was presented amongst other Guixe products. Designed by: Marti Guixe http://www.corraini.comBrit Leissler 273 of 468
Marti Guixe @ Corraini The renowned art and design book publisher Corraini Edizioni published a new book by Marti Guixe called "The presentation of Food Designing". It gives an overview of Guixe's food design projects of the past 15 years - from the Olive Snack to I-cakes and from Lunch Balls to Sponsored Food. Guixe also designed the interior of the Corraini office/shop where the book was presented amongst other Guixe products. Designed by: Marti Guixe http://www.corraini.comBrit Leissler 274 of 468
Barovier Toso Barovier Toso are the masters of venezian Murano glas objects. They were showing their products in Superstudio Piu on Via Tortona in an exhibition that was designed by Paola Navone Studio. Designed by: Paola Navone Studio http://www.barovier.com/Brit Leissler 275 of 468
Barovier Toso Barovier Toso are the masters of venezian Murano glas objects. They were showing their products in Superstudio Piu on Via Tortona in an exhibition that was designed by Paola Navone Studio. Designed by: Paola Navone Studio http://www.barovier.com/Brit Leissler 276 of 468
Barovier Toso Barovier Toso are the masters of venezian Murano glas objects. They were showing their products in Superstudio Piu on Via Tortona in an exhibition that was designed by Paola Navone Studio. Designed by: Paola Navone Studio http://www.barovier.com/Brit Leissler 277 of 468
Barovier Toso Barovier Toso are the masters of venezian Murano glas objects. They were showing their products in Superstudio Piu on Via Tortona in an exhibition that was designed by Paola Navone Studio. Designed by: Paola Navone Studio http://www.barovier.com/Brit Leissler 278 of 468
Barovier Toso Barovier Toso are the masters of venezian Murano glas objects. They were showing their products in Superstudio Piu on Via Tortona in an exhibition that was designed by Paola Navone Studio. Designed by: Paola Navone Studio http://www.barovier.com/Brit Leissler 279 of 468
Barovier Toso Barovier Toso are the masters of venezian Murano glas objects. They were showing their products in Superstudio Piu on Via Tortona in an exhibition that was designed by Paola Navone Studio. Designed by: Paola Navone Studio http://www.barovier.com/Brit Leissler 280 of 468
Barovier Toso Barovier Toso are the masters of venezian Murano glas objects. They were showing their products in Superstudio Piu on Via Tortona in an exhibition that was designed by Paola Navone Studio. Designed by: Paola Navone Studio http://www.barovier.com/Brit Leissler 281 of 468
Swarovski Crystal Palace Stellar Designed by: Tokujin Yoshioka http://www.swarovski.com/Brit Leissler 282 of 468
Swarovski Crystal Palace Stellar Designed by: Tokujin Yoshioka http://www.swarovski.com/Brit Leissler 283 of 468
Swarovski Crystal Palace Stellar Designed by: Tokujin Yoshioka http://www.swarovski.com/Brit Leissler 284 of 468
Swarovski Crystal Palace Stellar Designed by: Tokujin Yoshioka http://www.swarovski.com/Brit Leissler 285 of 468
Swarovski Crystal Palace Stellar Designed by: Tokujin Yoshioka http://www.swarovski.com/Brit Leissler 286 of 468
Swarovski Crystal Palace Stellar Designed by: Tokujin Yoshioka http://www.swarovski.com/Brit Leissler 287 of 468
Swarovski Crystal Palace: Archive Room Pieces from Swarovski's archives. http://www.swarovski.com/Brit Leissler 288 of 468
Swarovski Crystal Palace Amplify Designed by: Yves Behar http://www.swarovski.com/Brit Leissler 289 of 468
Swarovski Crystal Palace: Archive Room Pieces from Swarovski's archives. http://www.swarovski.com/Brit Leissler 290 of 468
Swarovski Crystal Palace: Archive Room Mini Voyage Designed by: Yves Behar http://www.swarovski.com/Brit Leissler 291 of 468
Swarovski Crystal Palace: Archive Room Pieces from Swarovski's archives. http://www.swarovski.com/Brit Leissler 292 of 468
Swarovski Crystal Palace: Archive Room Ball Designed by: Tom Dixon http://www.swarovski.com/Brit Leissler 293 of 468
Swarovski Crystal Palace: Archive Room Light Sock Designed by: Diller Scofidio + Renfro http://www.swarovski.com/Brit Leissler 294 of 468
Swarovski Crystal Palace Frost Designed by: Vincent Van Duysen http://www.swarovski.com/Brit Leissler 295 of 468
Swarovski Crystal Palace Frost Designed by: Vincent Van Duysen http://www.swarovski.com/Brit Leissler 296 of 468
Swarovski Crystal Palace Dream Clouse Designed by: Rogier van der Heide http://www.swarovski.com/Brit Leissler 297 of 468
Swarovski Crystal Palace Curated by Jules Wright (founder of the The Wapping Project), this year's "Swarovski Crystal Palace" show's guiding theme had been inspired by the idea of different types of palace – from Versailles with its hall of mirrors, to Japan with its Zen aesthetic, to the Winter Palace in St Petersburg. Each designer's creation was showcased in a separate room. The journey through the three different rooms celebrated some of the staggeringly inventive concepts created by the world's most innovative desi Designed by: Rogier van der Heide http://www.swarovski.com/Brit Leissler 298 of 468
Swarovski Crystal Palace Sparks, in action. Designed by: Gwenael Nicolas http://www.swarovski.com/Lisa Smith 299 of 468
Swarovski Crystal Palace Amplify Designed by: Yves Behar http://www.swarovski.com/Lisa Smith 300 of 468
Swarovski Crystal Palace Amplify Designed by: Yves Behar http://www.swarovski.com/Lisa Smith 301 of 468
Swarovski Crystal Palace Amplify Designed by: Yves Behar http://www.swarovski.com/Lisa Smith 302 of 468
Swarovski Crystal Palace The entrance to the showroom. http://www.swarovski.com/Lisa Smith 303 of 468
Swarovski Crystal Palace The second half of the Sparks installation. Designed by: Gwenael Nicolas http://www.swarovski.com/Lisa Smith 304 of 468
Swarovski Crystal Palace Detail from Sparks Designed by: Gwenael Nicolas http://www.swarovski.com/Lisa Smith 305 of 468
Swarovski Crystal Palace Stellar installation. The room was foggy. Designed by: Tokujin Yoshioka http://www.swarovski.com/Lisa Smith 306 of 468
Swarovski Crystal Palace Stellar Designed by: Tokujin Yoshioka http://www.swarovski.com/Lisa Smith 307 of 468
Swarovski Crystal Palace An LED/Crystal gem from Sparks, suspened in a helium ball. Designed by: Gwenael Nicolas http://www.swarovski.com/Lisa Smith 308 of 468
Kkaarrlls Zinfandel Designed by: Tom Pawlofsky http://kkaarrlls.com/Lisa Smith 309 of 468
Kkaarrlls Fontana Adria Designed by: Felicitas Wetzel http://kkaarrlls.com/Lisa Smith 310 of 468
Kkaarrlls F0rM10s, tar ceiling lamp. Designed by: Laura Jungmann http://kkaarrlls.com/Lisa Smith 311 of 468
Kkaarrlls F0rM10s, tar ceiling lamp. Designed by: Laura Jungmann http://kkaarrlls.com/Lisa Smith 312 of 468
Kkaarrlls Stoolbench Designed by: Yvonne Fehling, Jennie Peiz http://kkaarrlls.com/Lisa Smith 313 of 468
Kkaarrlls Chauffage Lanier. heating element Designed by: Christina Becker, Grit Werner, Lauren Walter (2groupof3) http://kkaarrlls.com/Lisa Smith 314 of 468
Kkaarrlls Zinfandel shelf Designed by: Tom Pawlofsky http://kkaarrlls.com/Lisa Smith 315 of 468
Kkaarrlls Affroditi seat Designed by: Laura Bernhardt http://kkaarrlls.com/Lisa Smith 316 of 468
Kkaarrlls Chauffage Lanier, heating element, plugged into the Lehner power strip. Designed by: Phillip Scholz http://kkaarrlls.com/Lisa Smith 317 of 468
Kkaarrlls Potlight Designed by: Kilian Schindler http://kkaarrlls.com/Lisa Smith 318 of 468
Kkaarrlls TaTa floor lamp Designed by: Joa Herrenknecht http://kkaarrlls.com/Lisa Smith 319 of 468
Kkaarrlls Chauffage Lainier, heating accessory Designed by: Christina Becker, Grit Werner, Lauren Walter (2groupof3) http://kkaarrlls.com/Lisa Smith 320 of 468
Kkaarrlls F0rM10s, collection of tar objects. Tarbegins to melt slowly at room temperature. Designed by: Laura Jungmann http://kkaarrlls.com/Lisa Smith 321 of 468
Kkaarrlls F0rM10s, collection of tar objects Designed by: Laura Jungmann http://kkaarrlls.com/Lisa Smith 322 of 468
Kkaarrlls Pl(a)ywood Designed by: Silvia Knüppel http://kkaarrlls.com/Lisa Smith 323 of 468
Kkaarrlls Immobel Designed by: Katrin Sonnleitner http://kkaarrlls.com/Lisa Smith 324 of 468
Kkaarrlls Screw Rider Designed by: Anna Bruger http://kkaarrlls.com/Lisa Smith 325 of 468
Kkaarrlls Bow Bins Designed by: Cordula Kehrer http://kkaarrlls.com/Lisa Smith 326 of 468
Kkaarrlls Bow Bins Designed by: Cordula Kehrer http://kkaarrlls.com/Lisa Smith 327 of 468
Kkaarrlls Lehner power strip. Designed by: Phillip Scholz http://kkaarrlls.com/Lisa Smith 328 of 468
5.5 Designers Cuisine d'Objets Hooks in Crust Designed by: 5.5 Designers www.cinqcinqdesigners.comLisa Smith 362 of 468
5.5 Designers Cuisine d'Objets Hooks in Crust Designed by: 5.5 Designers www.cinqcinqdesigners.comLisa Smith 363 of 468
5.5 Designers Cuisine d'Objets Candle Fondant Designed by: 5.5 Designers www.cinqcinqdesigners.comLisa Smith 364 of 468
5.5 Designers Cuisine d'Objets Candle Fondant Designed by: 5.5 Designers www.cinqcinqdesigners.comLisa Smith 365 of 468
5.5 Designers Cuisine d'Objets Candle Fondant Designed by: 5.5 Designers www.cinqcinqdesigners.comLisa Smith 366 of 468
5.5 Designers Cuisine d'Objets Feuilleté (puff pastry) of Books Designed by: 5.5 Designers www.cinqcinqdesigners.comLisa Smith 367 of 468
Pieke Bergmans Monsters Monsters trained to "put you in uncomfortable positions." Designed by: Pieke Bergmans http://www.piekebergmans.com/Lisa Smith 368 of 468
Pieke Bergmans Monsters Monsters trained to "put you in uncomfortable positions." Designed by: Pieke Bergmans http://www.piekebergmans.com/Lisa Smith 369 of 468
Pieke Bergmans Monsters Monsters trained to "put you in uncomfortable positions." Designed by: Pieke Bergmans http://www.piekebergmans.com/Lisa Smith 370 of 468
Pieke Bergmans Monsters Monsters trained to "put you in uncomfortable positions." Designed by: Pieke Bergmans http://www.piekebergmans.com/Lisa Smith 371 of 468
Pieke Bergmans Monsters Monsters trained to "put you in uncomfortable positions." Designed by: Pieke Bergmans http://www.piekebergmans.com/Lisa Smith 372 of 468
Pieke Bergmans Monsters Monsters trained to "put you in uncomfortable positions." Designed by: Pieke Bergmans http://www.piekebergmans.com/Lisa Smith 373 of 468
Pieke Bergmans Monsters Monsters trained to "put you in uncomfortable positions." Designed by: Pieke Bergmans http://www.piekebergmans.com/Lisa Smith 374 of 468
Pieke Bergmans Monsters Monsters trained to "put you in uncomfortable positions." Designed by: Pieke Bergmans http://www.piekebergmans.com/Lisa Smith 375 of 468
Hotel RCA: Twist & Lock A modular crate system with plastic fasteners Designed by: Harry Thaler www.hotelrca.com/cj 376 of 468
Hotel RCA: Twist & Lock A modular crate system with plastic fasteners Designed by: Harry Thaler www.hotelrca.com/cj 377 of 468
Hotel RCA: Rope Bench Playwood bench constructed and assembled using only rope tension Designed by: Yoav Reches www.hotelrca.com/cj 378 of 468
Hotel RCA: Rope Bench Playwood bench constructed and assembled using only rope tension Designed by: Yoav Reches http://www.hotelrca.com/cj 379 of 468
Sconces Beautiful array of wall sconces Designed by: Alessandro Poli http://www.servomuto.com/cj 380 of 468
Hotel RCA: Mezze1: Table Domino table lets the user determine the surface pattern Designed by: Thomas Pausz http://www.hotelrca.com/cj 381 of 468
Hotel RCA: Garden Table Aluminum table top atop a shovel can be placed anywhere outside http://www.hotelrca.com/Fredrick Paulsen 382 of 468
Metrobowl 1:10000 scale cast aluminum vessel of Amsterdam Designed by: Frederik Roije http://www.roije.com/cj 383 of 468
Metrobowl 1:10000 scale cast aluminum vessel of Manhattan Designed by: Frederik Roije http://www.roije.com/cj 384 of 468
Design Academy Eindhoven Why aren't we using a hot water bottle anymore? Designed by: Wendy Legro http://designacademyeindhoven.nl/cj 385 of 468
Design Academy Eindhoven How can our measurements connect us to the resources we use? Designed by: Digna Kosse http://designacademyeindhoven.nl/cj 387 of 468
Design Academy Eindhoven How have my family's lives threaded together? Designed by: Guy Konigstein http://designacademyeindhoven.nl/cj 388 of 468
Design Academy Eindhoven How can a water cooler be sustainable? Designed by: Lizanne Dirkx http://designacademyeindhoven.nl/cj 389 of 468
Hotel RCA: Akuna A collaboration between designer and woodcarver Designed by: Fabian Caperan www.hotelrca.com/cj 392 of 468
Maarten Baas: Grandfather Clock Maarten Baas's Grandfather Clock in the 2010 apartment Designed by: Maarten Baas http://www.maartenbaas.comcj 393 of 468
Marten Baas: "Real Time" Maarten Baas app...real large! Designed by: Maarten Baas http://www.maartenbaas.comcj 394 of 468
Salone del Mobile: Moroso booth Core77's Lisa Smith interviews Tokujin Yoshioka. cj 395 of 468
Salone del Mobile: Wood Chair Another new addition to Moroso's collection this year, Front Design's chair weaves together varied sizes of wooden balls. http://www.moroso.itcj 396 of 468
Salone del Mobile Curated by Jules Wright (founder of the The Wapping Project), this year's "Swarovski Crystal Palace" show's guiding theme had been inspired by the idea of different types of palace – from Versailles with its hall of mirrors, to Japan with its Zen aesthetic, to the Winter Palace in St Petersburg. Each designer’s creation was showcased in a separate room. The journey through the three different rooms celebrated some of the staggeringly inventive concepts created by the world’s most innovative desi http://cosmit.it/Allan Chochinov 397 of 468
Salone del Mobile: Mesh Chair Tom Dixon's elegant Mesh chair combines beautiful textures and materials. Designed by: Tom Dixon http://www.magisdesign.com/cj 399 of 468
Salone del Mobile: Tempo Cyclock + Deja-vu Mirror A perfect pairing of Naota Fukasawa's clocks and mirrors in the Magis exhibition. Designed by: Naota Fukasawa http://www.magisdesign.com/cj 400 of 468
Salone del Mobile: "Magic Hole" Chair Philippe Starck's chair features armrest compartments for items such as magazines and small electronics. Designed by: Philippe Starck http://cosmit.it/cj 401 of 468
Salone del Mobile: Kartell Showroom The showroom theme this year was "Welcome Black," featuring black, white, and clear objects. http://www.kartell.com/cj 402 of 468
Salone del Mobile Curated by Jules Wright (founder of the The Wapping Project), this year's "Swarovski Crystal Palace" show's guiding theme had been inspired by the idea of different types of palace – from Versailles with its hall of mirrors, to Japan with its Zen aesthetic, to the Winter Palace in St Petersburg. Each designer’s creation was showcased in a separate room. The journey through the three different rooms celebrated some of the staggeringly inventive concepts created by the world’s most innovative desi http://cosmit.it/Allan Chochinov 403 of 468
Salone del Mobile: Emeco 111 Navy Chair Emeco's chair made of 111 recycled Coca-Cola bottles. Could it have been called the "Emecoke?" http://www.emeco.netcj 404 of 468
Salone del Mobile: Chairless A single strap contains the user, each equipped with an iPAD for checking out during the furniture fair. Designed by: Alejandro Aravena http://www.alejandroaravena.com/cj 405 of 468
Rossignoli's vintage bicyle exhibition Located in a courtyard on via Garibaldi, the display of "found" 19th
century bicycles provided a delightful break from the more traditional wares at the furniture fair. cj 427 of 468
Rossignoli's vintage bicyle exhibition Located in a courtyard on via Garibaldi, the display of "found" 19th
century bicycles provided a delightful break from the more traditional wares at the furniture fair. cj 428 of 468
Rossignoli's vintage bicyle exhibition Located in a courtyard on via Garibaldi, the display of "found" 19th
century bicycles provided a delightful break from the more traditional wares at the furniture fair. cj 429 of 468
Rossignoli's vintage bicyle exhibition Located in a courtyard on via Garibaldi, the display of "found" 19th
century bicycles provided a delightful break from the more traditional wares at the furniture fair. Allan Chochinov 430 of 468
Rossignoli's vintage bicyle exhibition Located in a courtyard on via Garibaldi, the display of "found" 19th
century bicycles provided a delightful break from the more traditional wares at the furniture fair. cj 431 of 468
Rossignoli's vintage bicyle exhibition Located in a courtyard on via Garibaldi, the display of "found" 19th century bicycles provided a delightful break from the more traditional wares at the furniture fair. cj 432 of 468
Rossignoli's vintage bicyle exhibition Located in a courtyard on via Garibaldi, the display of "found" 19th century bicycles provided a delightful break from the more traditional wares at the furniture fair. cj 433 of 468
Rossignoli's vintage bicyle exhibition Located in a courtyard on via Garibaldi, the display of "found" 19th
century bicycles provided a delightful break from the more traditional wares at the furniture fair. Allan Chochinov 434 of 468
Rossignoli's vintage bicyle exhibition Located in a courtyard on via Garibaldi, the display of "found" 19th
century bicycles provided a delightful break from the more traditional
wares at the furniture fair. cj 435 of 468
Rossignoli's vintage bicyle exhibition Located in a courtyard on via Garibaldi, the display of "found" 19th
century bicycles provided a delightful break from the more traditional wares at the furniture fair. cj 436 of 468
Rossignoli's vintage bicyle exhibition Located in a courtyard on via Garibaldi, the display of "found" 19th
century bicycles provided a delightful break from the more traditional wares at the furniture fair. cj 437 of 468
Rossignoli's vintage bicyle exhibition Located in a courtyard on via Garibaldi, the display of "found" 19th
century bicycles provided a delightful break from the more traditional wares at the furniture fair. cj 438 of 468
Rossignoli's vintage bicyle exhibition Located in a courtyard on via Garibaldi, the display of "found" 19th
century bicycles provided a delightful break from the more traditional wares at the furniture fair. cj 439 of 468
Food Marketo and Apartamento Magazine Food Marketo Opening http://designmarketo.comBrit Leissler 440 of 468
Food Marketo and Apartamento Magazine Paperweights Designed by: Enzo Mari http://designmarketo.comBrit Leissler 441 of 468
Food Marketo and Apartamento Magazine Enzo Mari's Paperweights at the Kaleidoscope Gallery http://designmarketo.comBrit Leissler 442 of 468
Food Marketo and Apartamento Magazine The Food Marketo opening, a collaboration between Design Marketo and Appartamento Magazine http://designmarketo.comBrit Leissler 443 of 468
Food Marketo and Apartamento Magazine Food Marketo Opening http://designmarketo.comBrit Leissler 444 of 468
Food Marketo and Apartamento Magazine The opening at Food Marketo http://designmarketo.comBrit Leissler 445 of 468
Food Marketo and Apartamento Magazine The opening at Food Marketo http://designmarketo.comBrit Leissler 446 of 468
Food Marketo and Apartamento Magazine The opening at Food Marketo http://designmarketo.comBrit Leissler 447 of 468
Food Marketo and Apartamento Magazine Food Marketo Opening Designed by: Peter Marigold http://designmarketo.comBrit Leissler 448 of 468
Food Marketo and Apartamento Magazine The opening at Food Marketo Designed by: Andrew Haythornthwaite http://designmarketo.comBrit Leissler 449 of 468
Food Marketo and Apartamento Magazine The opening at Food Marketo Designed by: Alexandre Bettler http://designmarketo.comBrit Leissler 450 of 468
Food Marketo and Apartamento Magazine Enzo Mari's Paperweights Designed by: Enzo Mari http://designmarketo.comBrit Leissler 451 of 468
Food Marketo and Apartamento Magazine Paperweights Designed by: Enzo Mari http://designmarketo.comBrit Leissler 452 of 468
Food Marketo and Apartamento Magazine Paperweights Designed by: Enzo Mari http://designmarketo.comBrit Leissler 453 of 468
Food Marketo and Apartamento Magazine The opening at Food Marketo http://designmarketo.comBrit Leissler 454 of 468
Food Marketo and Apartamento Magazine The Food Marketo opening http://designmarketo.comBrit Leissler 455 of 468
Food Marketo and Apartamento Magazine Food Marketo Opening Designed by: Harry Thaler http://designmarketo.comBrit Leissler 456 of 468
Parties Food Marketo Opening Lisa Smith 457 of 468
Bar Basso Negroni Sbagliato is Bar Basso's signature drink Lisa Smith 458 of 468
Parties The crowd outside Lisa Smith 459 of 468
Bar Basso Dezeen opening night party at Bar Basso Lisa Smith 460 of 468
Prelude Public Design Festival set up Lisa Smith 461 of 468
Prelude Around Zona Tortona Lisa Smith 462 of 468
Prelude Entering Zona Tortona Lisa Smith 463 of 468
Prelude Inside Superstudio Lisa Smith 464 of 468
Prelude Entrance to Superstudio Lisa Smith 465 of 468
Prelude A chair in ice at Superstudio Lisa Smith 466 of 468
Prelude A chair in ice at Superstudio Lisa Smith 467 of 468
Prelude Maarten Baas' iPhone app Lisa Smith 468 of 468
This year at Milan Design Week 2010, we toured the usual spots—Zona Tortona, Brera, Zona Isola, the Fiera—but also witnessed the debut of Ventura Lambrate, a new design district in the industrial Northeast side of town.