Today, a group of University of the Arts ID students frolicked to a crit, where their Eames Hack project was the focus du jour--part of a a three day charette based on remake and DIY culture. The Eames Hack team, Jared Delorenzo, Tim Peet, Alexandra Temple Powell, Tom Reynolds, Alie Thomer, and Andrew McCandlish, presented two examples: a molded plywood dining-turned-high chair and the classic shell so cleverly transformed into a toilet-top throne. (Dudes better put the seat back, um, down...)
The Eames High Chair and Eames Toilet Seat "are about breaking the status surrounding high design objects. Through physically invasive alterations, these once iconic, elite, forms are liberated from their old, restrained image. The project is not a critique of the Eames, but rather a fulfillment of their original ideals."
Add to their crit in the comments section if you so desire.
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It will be really very comfortable and more cleanness will maintain.
But WHY WHY is it necessary to obscure a simple design task under a mountain of pretentious theoretical justification that sounds like bad socialist rhertoric?
I just grabed a speed by Lenin off the net, replaced "Communism" with "Design", etc. Sound familiar?
"Design must be made comprehensible to the masses of the workers so that they will regard it as their own cause. That task is being poorly accomplished, and thousands of mistakes are being made. We make no secret of the fact. To us, that is no longer a programme, a theory, or a task to be accomplished; it has become a matter of actual and practical development. We must point out what is bad, so as to avoid it in future."